khaled   Mehrez من اصل4 2

In addition to it being an enormous reservoir for every designer who is
trying to use the Egyptian style as an inspirational starting point to their
designs , that in itself contributes to forming the Egyptian identity. The
conversation about identity and typography is not a knowledgeable luxury;
however, it has a great deal of importance to calling for the exploration and
the documentation of these factors. The typography awakens the spirit of
belonging and the bonding among people as well as giving the sense of
security and fertility, which deepens and intensifies the human experience.
In the search for our identity we have to conscientiously deal with our
heritage beyond the physical existence or the frozen history to the
distinctive registering up to the visions of society and its ideas and
creativity.
Separation from history is similar in its essence to the separation from
humanitarian roots. History is just a renewable lesson expressing many
forms that succeeded in responding to as responding to the materialistic and
physiological human needs. In the past, the goal of researching, was to
recall the old wisdom through acknowledging a recent knowledge. The new
will revive the old and the old will activate and energize the new, which is a
mutual relationship that is involved in an unlimited argument. The American
architect Robert Stern states” The past allows for our availability to take a
chance and comment on. Moreover, the present allows for the rediscovery
of different forms of the past through technological and programming
reactions of present time”
Gamal   Hemdan states ” The study of the regional personality is not limited
to the present; however it goes far back through the past time and through
the history,