STYLE OF ORNAMENTS   4من اصل5

since the 1960s began to return once again to ornamentation and forming a
new decoration and applying it with the new freedom movement, neo-
liberty and writings of Robert Venturi , which confirms the symbolic role
ornamentation, as well as to the aesthetic and functional aspects that grants
to sluggish roof the visual harmonies, complexities and colors, they override
the block building of huge space, and gives different dimensions, as well as
to giving the work a value of high- quality surface and make it reaches
superior, which was expressed by venturi, saying, “The decoration is not a
sin against progress, but an important part of visual tradition of human
beings, it is the best to convince people, but making contemporary
decoration is not easy, in the past, there were general visual terms that were
rooted with Christianity, but in the urban and civilized community, these
imaginations and metaphoric images and were not making that sense, and
therefore, the problem lies in the method used by designers of
contemporary ornamentation to be used by others, so the social impression
over consumer products and unfavorable designs enriches our environment
daily, and also changes product strategy to a social strategy that takes
special character with time.
Morris said in his article under the title of “inferior arts” that the divorce of
artists of the artisans made poor ornamentation, that lives alone by the
hands of the workers, which should return and become a reference of
beauty and happiness, Samuel Bing has significant contributions
i nactivating ideas of Morris about the union of artists, designers and
craftsmen to create   contemporary ornamentation of a substantive nature, as
well as to equip art deco with the function of the same subject,